A Moveable Feast, Part II

It only seems fitting that an updated version of A Moveable Feast has been published this Spring. The book that for so long colored and filled my perceptions of Paris with sepia toned photographs of 1920s nostalgia has been given a face lift: new stories and vignettes added to complete and to illuminate the often biased picture the original book gives of Paris, its literary community, and Hem's family themselves.

And why this all seems fitting -- as you know by now -- is that I have just completed my first stint in the same city that became Hemingway's adopted home and I have taken away my own stories and perceptions of a place so far gone from that literary ideal and still so alive in hundreds of other ways that I'd never seen or expected before as if some hazy introduction has been stitched together from nights and mornings and cafés and classrooms.

So at this time, I'd like to thank everyone who has read the blog and stayed in touch with me since January. As much as I've learned about Paris and its and corners and dives, I've learned about myself and what I want to do with the rest of my life and this blog and writing to all of you back home or wherever you may be has played a major role (if not the most important role) in this awareness. You are as much a part of this blog as I am and Paris as much a part of you as it is of me.

I'm sad to be leaving and it's a shame that now, when for the first time in several months I feel at ease here, my time is up. But as Hemingway said better than I ever will:

There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and your received return for whatever your brought to it. But this is how Paris was in the early days when we were very poor and very happy.

So once again. Thank You.